Virgil Abloh: the red-hot renaissance man shaking up fashion

Virgil Abloh is fashions hottest designer. We meet the man whose orange brick has people queuing round the block

On an early summers evening on the outskirts of Basel a city almost certainly in Switzerland, but sometimes in France and occasionally Germany hundreds of well-heeled men and women stand in line, giddily, champagne flutes in hand, waiting to buy a 140 brick. It is, naturally, no ordinary brick. Its flag-down-a-passing-aircraft orange, and prominently branded in an edition of just 999. But, crucially, the brick or ceramic block as its parents have christened it has been designed by Virgil Abloh, a 38-year-old from Chicago, in conjunction with the timeless Swiss furniture company Vitra. Right now, Abloh is an alchemist: anything he touches in the worlds of fashion and design turns to gold (or often orange). The people jostling in this queue know that they could buy a brick and own a cherished piece of design history or walk out and resell it immediately for at least double what they paid.

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    And yet, it really does look like a brick. Abloh, whose day job is artistic director of menswear at Louis Vuitton, makes no wild claims for its utility. It is sort of reminiscent of a cinder block, which is obviously a building unit to build structures such as were in, he says, at the launch at Vitras headquarters. But we decided to make that a ceramic household accessory. It gets adapted to your living space as an object itself, or it can be a paperweight, or it can hold objects within it.

    The brick is, in many ways, a perfect leitmotif for Ablohs game-changing and divisive career to date. For those who are unconvinced by him, his main talents are in orchestrating hype and self-promotion. One of his often-quoted maxims is that you only need to change a design by 3% to make it fresh and original, and he made his name originally by applying this logic to graphic T-shirts, hoodies and sneakers. In GQ, the author Michael Chabon described Abloh as one-third hip-hop, one-third hustle, one-third [Malcolm] McLarenesque inside joke.

    For others, though and its an army that is beginning to drown out the doubters Abloh is nothing less than a new Marcel Duchamp, the Andy Warhol for our times. His work is reliably playful, ironic and totally unreverential: one of his signatures is to add a lurid zip-tie to Nike sneakers. In March, Justin Bieber was stopped by police, who thought he still had a store security tag on his Air Max 90s. Virgil, my God, bro, Bieber posted on Instagram. You freaking youre killing me, man! Other trademarks are horizontal stripes, quotation marks, brash capital letters in Helvetica type. Youll see them everywhere now: Kendall Jenner, Drake, Beyonc, Serena Williams.

    Abloh is also a pioneer, a relentless polymath. In March 2018, he became Louis Vuittons first African-American artistic director, and a rare black designer in the fashion establishment. His streetwear label Off-White, founded in 2012, is neck and neck with Gucci as the hottest brand in the world, according to the influential Lyst Index. Hes lectured at Harvard and the Architectural Association in London, and had a series of exhibitions at the Gagosian galleries with cult artist Takashi Murakami. The New Yorker recently called Abloh menswears biggest star; last year, Time named him one of the 100 most influential people in the world.

    Red
    Red alert: Louis Vuitton Menswear SS19 at Paris Fashion Week. Photograph: Peter White/Getty Images

    What Abloh taps into is a generation millennials, essentially who, until recently, have been ignored as serious consumers. His reach is shown most conspicuously by his Instagram followers, of whom there are 4.1m. This makes him tremendously desirable for established companies looking for a jab of Botox. Ikea has commissioned him to design a range of products, available from November. When, in May, the homewares giant dropped a rug from the collection a grey and black wool-nylon blend with KEEP OFF across the middle it sold out in a finger-click.

    Its a version of this frenzy that Im witnessing at Vitra. The company the European manufacturer of the designs of Charles and Ray Eames, Verner Panton and Jean Prouv has worked with Abloh on three new designs: the ceramic block and two hacks of classic Prouv designs, the Antony chair and the Petit Potence wall lamp. Theres a commercial aspect to the collaboration but, for Abloh, thats not the most exciting part. He sees the Virgil Abloh c/o Vitra project as an opportunity to reach and inspire a young person in his head, aged 14 to 17 who has never heard of Prouv and probably has no interest in design.

    So its a brick, sure, but maybe for the neophyte its also a way into an intimidating, expensive world. Design is often something the general public doesnt notice until its broke, says Abloh. You dont notice a door handle until it doesnt work. You dont think about the history related to architecture, cars or phones you just use them. Whereas I think we would all benefit from having a knowledge of design. At least thats the premise that I operate under.

    Line
    Line judge: Serena Williams wears Virgil Abloh at the French Open. Photograph: Jean Catuffe/Getty Images

    Abloh is a big man with a gentle manner. He doesnt often crack a smile this afternoon, but you can tell when hes into an idea by the fact that his speech cadence, usually languid, quickens. He has offices in Paris, Milan and London, homes in Paris and Chicago, but no desk anywhere. His design work is mainly done on two phones that sit between us as we speak. Id love to say that our conversation is so compelling that they remain untouched, but that isnt the case. A sound engineer records our exchange for Ablohs archive.

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    The Abloh story starts in suburban Rockford, Illinois in 1980. His mother Eunice and father Nee, Ghanaian immigrants to America in the 1970s, were respectively a seamstress and a manager of a paint company. As a teenager, Abloh was into skateboarding, soccer and graffiti but, looking back, his greatest inspiration was hip-hop. And he sees obvious parallels with critiques of his design work. Hip-hops a music form thats made by sampling a soul or jazz record and making a completely new genre, he says. You could argue, Is it music or not? But you can say now that its the number one [genre] in music.

    Abloh is not, by most accepted definitions, actually a millennial himself: most have that category starting with a 1982 birthdate. Certainly his academic career followed a more traditional Generation X path. His parents wanted him to learn a trade, so he studied first civil engineering and then trained as an architect. His heroes were an eclectic crew: Kanye West, Rem Koolhaas, Pharrell Williams and Ludwig Mies van der Rohe.

    The story goes that he engineered a meeting with West by finding out where the rapper screen-printed his merchandise in Chicago. Now, he says that they probably would have run into each other anyway. Were from the same city, so its a small circle. Either way, they clicked and, for a decade from the mid-2000s, they worked on projects together (Abloh is sometimes called Wests creative director). When, in 2009, West decided to slum it as an intern at the fashion house Fendi in Rome for six months with a salary of 400 a month Abloh tagged along.

    Heron
    Fashion forward: with Carine Roitfeld and Gigi Hadid Paris Fashion Week Mens, June 2019. Photograph: Swan Gallet/WWD/REX/Shutterstock

    Not many make the jump from intern to artistic director, but Ablohs ascent tells you what a crazy journey the fashion industry has been on in the past few years. Today, under-35s drive more than 50% of the revenue at some of the top fashion labels and streetwear is mainstream. For sure, I bet on it, he says. I made a career out of it. When I was showing in fashion week, people were saying, Thats not fashion. I wasnt referred to as a fashion designer.

    Abloh is sometimes described as a dilettante, but he points out that nothing hes achieved has been easy. My career had been 15 years long and theres only been people paying attention for the last three, he says. Ive been doing this exact amount of work and type of work for a long time. Its the life of a designer and artist that not everything works, but when everyones watching hopefully its working.

    In 2019, everyones watching, everythings working. On the day we meet, Abloh has flown into Switzerland from Chicago, where the Museum of Contemporary Art is staging a career-spanning retrospective: he is, to confirm, 38 years old. His latest collections for Off-White and Louis Vuitton were presented at Paris Fashion Week this month (his LV jamboree, which featured floral harnesses, Arsenals Hctor Bellern and a red bouncy castle, was the standout show of the week, said W Magazine). Hes had to finish off this project with Vitra and go back and forth with Ikea. Most of us, its safe to say, wouldnt last five minutes as Virgil Abloh.

    Its
    Its gotta be the shoes: Virgil Ablohs Off-White for Nike

    The reason for this punishing pace is that he loves what he does and perhaps knows that this is his time. I feel like now is a tremendous time in culture, he says, at the Vitra launch. I feel like its the Renaissance. I feel like Bernini just sculpting away, defining a moment of enlightenment. Im just an eager kid who looks at every day as a possibility to make something and leave a good impact.

    Ablohs private life is mainly that private but we know he is married to Shannon Sundberg, whom he met in high school, and they have two young children, Lowe and Grey. Its been estimated that hes on the road 320 days a year a myth, he counters but he doesnt deny he has to be obsessive about his work. Any person you can cite: Steve Jobs, Karl Lagerfeld, Michael Jordan they are not common names because they did it nine-to-five, he says. There are people on Earth that dedicate themselves to their practice or whatever. Ive always been like that.

    In his staff, Abloh looks for and expects a similar work ethic. At Vitra, he notes that he makes most of his hires straight from social media. If you have an awesome Instagram, Ill follow you, DM you and say, Hey, do you want a job? And if you are self-motivated, youre going to get promoted in two seconds because thats ultimately the shot I wanted when I was a kid.

    Working at this speed also means that Abloh doesnt spend a lot of time thinking about how people (especially trolls) are responding to what hes doing. Hes adamant that his gaze is set 30 years down the line, not at the comments on an Instagram post. As he puts it: Im not waiting for someone else to tell me what grade I get on it.

    And how does he feel about his work reselling for inflated multiples of their original price? Another shrug. Like on my list of things to worry about I cant control it, Abloh replies. Im just the creator of the idea, the company is more in control.


     

    On the evidence of his Vitra project whether Abloh is interested or not he appears to have another hit. The range sold out in days, and it does seem to have initiated a conversation about design among a new crowd. At the end of a public talk he gave at the Vitra Campus, the stage was mobbed by teens and 20-somethings, many of whom were standing in their socks, thrusting up sneakers for Abloh to sign. Hes a rock star! says a design writer that Im sitting next to. Its definitely hard to think of another contemporary designer who would inspire such a response even harder to name one who would later play a 90-minute DJ set, until 12.30am, at the Vitra summer party (unexpected highlight: Journeys Dont Stop Believin.)

    Of course, Ablohs designs will likely never be for everyone perhaps inevitably for someone who confronts, and affronts, the status quo so directly. At Basel airport the next day, I try to put one of his cinder blocks through the X-ray machine. The security officer looks bemused and pulls me aside for clarification. Franais, Deutsch, English? he asks. What is this? I explain to him that its a ceramic design object. He takes a knife, slices the tape on the cardboard packaging. Im travelling with a PR and he opens Ablohs Instagram page, showing the brick in situ. The image already has 40,000 likes. The security mans expression is unchanged: he picks up the brick, spins it around in his hand, puts it back and waves me through without comment.

    There will be another drop of Virgil Abloh c/o Vitra this autumn. Visit vitra.com for more information

    Original Article : HERE ; The Ultimate Survival Food: The Lost Ways


     
     

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