Whitney Biennial 2019: why is this year’s show so safe?

The show, increasingly typified by controversial resistance art, is presenting a mostly safe front this year despite a growing protest over a Whitney trustee When the doors open on the sixth floor of the Whitney Museum of American Art, the first thing one sees is a snowman painting by Calvin Marcus. Its an underwhelming statement for the Whitney Biennial, arguably Americas most politically charged art event, which opens on Friday. The curators, Jane Panetta and Rujeko Hockley, both staffers at the museum, wanted to take a more subtle approach for this 79th edition of the biennial, which features 75 artists, half of whom are women. Despite the countrys political upheaval and the looming elections in 2020, it comes as a …